Image Above: Nasozi Kakembo shares how important it is to showcase images and reminders of her family and Ugandan heritage for the benefit of her son in their Bed-Stuy, Brooklyn brownstone tour. This wall-hanging comes from Nasozi’s family, purchased in Liberia by her mother in the 1970s, “although the design provenance is Ivory Coast.” It is an example of her deliberate decorative process to instill a global and empathetic worldview in her son through the objects she places in her home.
Nestled down a country road, past oak trees, off the road and out of view from anyone passing by, sits a home built from the ground up, for and by homeowners and artists, Vivian and Walter Neill. Also on the large, wooded property is the blacksmith studio of homeowner Walter, a full chicken coop, and the art gallery that the Neill’s run together, Oxford Treehouse Gallery.
“Always interested in the arts, we had early careers in the restaurant and plumbing businesses,” Vivian shares. “We married and settled in Oxford, MS in 1999 where we began our art careers and business in earnest. We are developing a sort of arts compound where we live, work and promote regional artists. We have taken our time reclaiming the acreage we acquired and look forward to the coming additions/evolution, including a sculpture garden in the field outside our home.” The arts compound she’s referring to is the rural art gallery she and Walter opened three years ago, sitting off the ground in a treehouse-like setting, aptly named The Oxford Treehouse Gallery, just 200 yards from their home. The gallery, as well as their home, houses a lot of their own art, too. Walter is an artist/blacksmith and Vivian is a painter and block printer.
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